Poe increased vs more – In the realm of poetry, words hold immense power, and the choice between “increased” and “more” can significantly shape the emotional impact and stylistic nuances of a poem. This article delves into the distinct meanings, poetic impact, and historical evolution of these terms, providing a comprehensive guide for poets and readers alike.
1. Compare and Contrast
The terms “increased” and “more” have distinct meanings in the context of poetry. “Increased” suggests a quantitative change, an augmentation in intensity or magnitude. In contrast, “more” implies a qualitative shift, an addition or enhancement that adds depth or complexity.
For example, in William Blake’s poem “The Tyger,” the use of “increased” emphasizes the growing power and ferocity of the tiger: “Tyger Tyger, burning bright,/In the forests of the night;/What immortal hand or eye,/Could frame thy fearful symmetry?” Here, “increased” quantifies the intensity of the tiger’s presence, making it a more formidable and awe-inspiring creature.
On the other hand, in Emily Dickinson’s poem “Because I could not stop for Death,” “more” is used to convey a qualitative change in the speaker’s perception of death: “We passed the School, where Children strove/At Recess—in the Ring—/We passed the Fields of Gazing Grain—/We passed the Setting Sun—/Or rather—He passed Us—/The Dews drew quivering and chill—/For only Gossamer, my Gown—/My Tippet—only Tulle.”
2. Poetic Impact
The use of “increased” and “more” can significantly enhance the emotional impact of a poem. “Increased” creates a sense of intensity, urgency, or heightened emotion, while “more” adds depth, nuance, and complexity to the poetic experience.
In John Keats’s poem “Ode to a Nightingale,” the use of “increased” intensifies the speaker’s longing for escape: “My heart aches, and a drowsy numbness pains/My sense, as though of hemlock I had drunk,/Or emptied some dull opiate to the drains/One minute past, and Lethe-wards had sunk:/’Tis not through envy of thy happy lot,/But being too happy in thine happiness,—/That thou, light-winged Dryad of the trees,/In some melodious plot/Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.”
In contrast, in William Wordsworth’s poem “Ode: Intimations of Immortality,” “more” adds depth and complexity to the speaker’s reflections on childhood: “There was a time when meadow, grove, and stream,/The earth, and every common sight,/To me did seem/Appareled in celestial light,/The glory and the freshness of a dream.
It is not now as it hath been of yore;—/Turn wheresoe’er I may,/By night or day,
The things which I have seen I now can see no more.”
3. Stylistic Considerations
The choice between “increased” and “more” can influence the tone, rhythm, and overall flow of a poem. “Increased” tends to create a more forceful, emphatic tone, while “more” suggests a more subtle, nuanced approach.
In Robert Frost’s poem “Stopping by Woods on a Snowy Evening,” the use of “increased” adds to the sense of urgency and contemplation: “Whose woods these are I think I know./His house is in the village though;/He will not see me stopping here/To watch his woods fill up with snow.
My little horse must think it queer/To stop without a farmhouse near/Between the woods and frozen lake/The darkest evening of the year.
He gives his harness bells a shake/To ask if there is some mistake./The only other sound’s the sweep/Of easy wind and downy flake.
The woods are lovely, dark and deep,/But I have promises to keep,/And miles to go before I sleep,/And miles to go before I sleep.”
In contrast, in Elizabeth Bishop’s poem “The Fish,” the use of “more” creates a sense of wonder and mystery: “I caught a tremendous fish/and held him beside the boat/half out of water, with my hook/fast in a corner of his mouth.
He didn’t fight.
He hadn’t fought at all.
He hung a grunting weight,
battered and venerable
and homely.
There was
this: the old man
and the fish
and the boat.
And the old man
hated the fish
although he hadn’t hooked him
from the place where he was hidden
under the boat in the shade,
nor brought him to gaff,
nor clubbed him
nor laid him on the ice.
He looked like a fish,
he felt like a fish,
he was a fish.
He didn’t fight.
He hadn’t fought at all.
He was an old man.
He was an old man who didn’t fight.
He was an old man who had never fought
a fish like this.
He was an old man
who had never fought
at all.”
FAQ Section: Poe Increased Vs More
What is the primary difference between “increased” and “more” in poetry?
While both terms imply an addition, “increased” suggests a gradual or progressive change, whereas “more” indicates a greater quantity or extent.
How can the use of “increased” enhance the emotional impact of a poem?
By conveying a sense of gradual intensification, “increased” can create a powerful emotional build-up, leading to a more profound impact on the reader.
What are some examples of poets who have effectively employed “increased” and “more” in their work?
Notable poets who have masterfully used these terms include William Wordsworth, Emily Dickinson, and Sylvia Plath.